This actually sounds more interesting to me now than it did when I performed it, which is encouraging. I haven’t had the opportunity yet to really work with the suggestions I got from Greg and Tony after this performance to try to make the samples sound less glitchy and more like music. I really want this to be a composition tool, and to create music, music that people would enjoy listening to outside of the context of a particular technology or performance. I like the ideas of glitch, but want to avoid “glitch aesthetic” if that makes sense. If I can use a glitch idea, playing a sample over and over like a scratched CD, but make it sound pretty like a single tone or harmony, that would be my ideal.